Julie Schumacher is the author of six books and writes for younger readers as well as adults. Her stories and essays have appeared in The Atlantic, The New York Times, Ms., Minnesota Monthly, and in The Best American Short Stories and the O'Henry Award anthologies. Her new novel, The Unbearable Book Club for Unsinkable Girls, will be published in May 2012. She directs the Creative Writing program at the University of Minnesota.
Tell
us about your relationship to your art.
It's
complicated in the way that human relationships are complicated. Sometimes
my writing and I get along wonderfully and happily don't analyze our
relationship at all; at other times one of us feels abandoned, or guilty, or
inadequate, or unfulfilled. The challenge, I think -- as in human
relationships -- is to create a healthy sense of self, in relation to and apart
from one's art.
What's
a project (yours or another's) that has been exciting you lately?
I
tend to get stuck on projects when I think about them too long or too
seriously, and when I get stuck I try to write something different, something I
can safely call an experiment, something that seems low-stakes. For me,
that's poetry (which I almost never write) or nonfiction, or visual art, which
often feel new and different because I don't know what I'm doing when I sit
down to give them a try. And that's exciting, and it can get me unstuck.
Tell
us a little of your motherhood journey.
I've
got two daughters, 23 and 20. They're old enough so that I have a
birds-eye view, now, of their childhoods. I can see the portions of their
growing up that seemed to go well, and the portions that were difficult or
traumatic. I can see the things I wish I'd done differently, on their
behalf and on mine. But there's no re-do, and they're great people, so I
try not to torment myself.
What
are some crucial elements of your process? How has that changed since
having children?
When
my kids were young, I was incredibly disciplined about my writing schedule,
because I was paying for it, hourly, in the form of daycare. I wrote my
first novel on Tuesday and Thursday mornings over a period of 4-5 years. Now
I've got more time, and I fritter more of it away.
What
are some of the ways your family and your art interact?
At
this point, my kids are useful critics. They correct my references to all
things technical and internet. But during the writing process itself, I
need to be alone, away from everyone, apart from phone, email, and friendly and
supportive human beings.
Do
you find your attitude towards your art might be different because of your
parenting / has it changed since you became a parent?
Hard
to say. Parenting is glorious and humbling. Writing can be glorious
and humbling. Both help accustom a person to striving, day after day --
and not always coming up to the mark.
Are
your children ever subjects in your art? [If yes, how so? If no,
why not?]
Tricky
question. Parenting is so all-encompassing; it takes a person over. And
if a person is an artist, parenting and the relationship to one's children
creeps into the art -- to varying degrees for different people. I have
mercilessly 'stolen' and fictionalized aspects of many of the people I'm
closest to. But if I feel those people might be recognized in what I've
written, I always consult them before attempting to publish.
How
does travel figure into your art? Do/did your children come along?
How has that worked out?
I
like to stay put when I'm writing. Travel is a great thing, but I can't
write when I'm doing it. At this point, my children come along on trips
with me only if they're interested in the places I'm going. More often,
they're traveling to the more interesting places, and I'm visiting them.
What
about promoting the arts with your own children--any fun projects to
share?
I
read to them both, a lot, when they were growing up. One of my children
is a fanatical reader; the other, though artistic, seldom finishes reading a
book. When I hear parents say, "I read to her every day, and that's
why she loves books," I think, "Don't kid yourself. Don't give
yourself that much credit." But then, I'm a cynic. And I
recognize that your kids don't have to resemble you, or have your interests, or
your politics or other beliefs, to be marvelous and beloved people.
How
do you escape?
Reading.
Alone. When I'm almost finished reading a book, I usually hide in
the bathroom so I can't be interrupted.
What
advice do you have for expectant mothers in your field?
Be
kind to yourself. Have a sense of humor. Try to live in the moment,
rather than wishing those moments -- even the difficult or frustrating ones --
away.
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